Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, December 31, 2013

Disney's Frozen

So I went to see Frozen the other day.  The Snow Queen (which Frozen is very loosely based on/inspired by, and I am linking it because surprisingly most people I've tried to talk to about the movie have never actually read or even heard of Hans Christian Anderson's longest and one of his most famous stories) has always been my favourite fairy tale, ever since I was a kid.  When I found out a few years ago that Disney was making a film based on it I totally geeked out and I've been waiting for it in eager anticipation ever since.  At least until I saw the first trailer and lost all hope in a just and fair world.  I mean, look at this crap:


Oh joy, obnoxious non-human sidekicks, how original.  I can't wait to watch a movie full of that snowman's horrible voice squawk out gag-worthy one-liners while the big dumb caribou tries to eat his nose and they have horrible unfunny slapstick scenes all over the place.  The other trailers did equally terrible jobs of selling the film, because I just looked some up and they made it look like utter crap.  I'm really glad now that I only saw the one above and not any of the others, because aside from looking awful, they spoil some great jokes and some neat scenes in the film.  If this had movie bombed, I'd blame the trailers completely fucking over a good thing, not the movie itself.

Anyway, I went to see it anyway (because there was no way I was passing up any version of The Snow Queen, especially a Disney version, no matter how they butchered it), and was very pleasantly surprised.  It was actually pretty fantastic!  Not like the trailers at all!  There's still some stuff that I think could have been done better, but a lot of it really exceeded my (admittedly low) expectations.  I'm probably going to start going into spoilers while I write this, by the way, just in case anybody is worried about that stuff.  I forgot to mention it earlier -- sorry!  At least I remembered before I actually said any spoilers.  Anyway, movie talk.  Pleasant surprises!  Go!

There's the music, for one.  I didn't realize this would be a musical.  Well, I figured that as a Disney princess movie there would be a few songs thrown in, but Frozen was a real straight-up musical.  How do I know it was a real straight-up musical?  Well, it's because musicals are the only movies I can watch once then immediately have to watch again.  I downloaded the soundtrack when I got home, but it wasn't really the same because while the songs are still good, it's also a really, fantastically visual movie.  For example, when I went looking for that godawful slapstick trailer to post above, I found they'd also posted Idina Menzel's show-stopping number that I felt was really the centrepiece of the film's soundtrack.  Listening to it alone on the soundtrack has a very Wicked feel (because duh, Idina Menzel), but I didn't notice it quite so much in theatres because of how fantastic I thought all the snow and ice stuff was, plus I was thinking of her more as the character of Elsa and not as the actress Idina.  Watch:


How great is that?  It's a good song, I really liked it on its own, but the song paired with the visuals of Elsa blossoming into the Snow Queen, finding the beauty in her powers by sending gorgeous works of snowflake art spinning around, creating a swirling staircase of frost, and raising a massive palace of aurora-gleaming ice from the mountain and the air itself.  It's one of my favourite scenes in the movie, because it's just such a spectacle.  Mind you, not all the music was great.  I found some songs to be a little grating; for example, Anna's first song, where she is asking Elsa if she wants to build a snowman like she did before.  It's very cutesy, a bit too much so, and some of the lyrics are rather uninspired and don't make the characters all that impressive; for example, "Do you wanna build a snowman?" "Anna, go away!" "Ooookay byyyyyye."  The way the two words were dragged out sounded pretty bland, and it made Anna seem like the least determined person ever.  She desperately wants her sister back!  But as soon as her sister is all, no go away, she's like gosh ok what else can I do.  And growing up with siblings, let me just say I wish it was that easy to get an obnoxious kid to scram.  

Another good surprise was the characters.  The obnoxious sidekicks from the first trailer aren't obnoxious at all in the film!  In fact, they're pretty endearing.  The reindeer doesn't do any slapstick bullshit, as far as I remember, and while the snowman -- I think his name is Olaf?  Or Oglaf, but I hope it's not, for any google-happy kid's sake -- is goofy, sure, but it's not the grating in-your-face goofy that it was in the trailers, it's more...I dunno, I want to say understated but it's really not.  And instead of just being dumb one-liners he's actually got some really funny bits!  And a lot of the time he's not supposed to be funny himself, really, but more setting up for someone else's funny.  For example, when he's singing his I Want song, the song's a joke, sure, but the real joke in the scene belongs to Kristoff, at the end.  I won't spoil it here because I liked it, even though I think one of the trailers might have done already.  Neither of them get as much screen time as the trailer I saw seemed to imply, and what time they do spend onscreen they usually act as actual comic relief, bringing a bit of lightness and humour to an otherwise heavy part of the movie.  Compare Jar Jar Binks, one of the most famously annoying Adorable Non Human Sidekicks In A Kid's Film characters, who had long scenes of him being unbearably annoying and dragging the film down.  No, Frozen did it absolutely right.

Of course, the characters were also one of the things I didn't always agree with.  For one thing, the original fairy tale had such good side characters!  I was so looking forward to meeting the clever Princess, who has read every book in the world and when she decided it was time to get married, she turned down every suitor until she found someone who was only interested in her mind and knowledge and not her face or her riches or anything.  Or the robber girl!  She was just so rad, she's basically just the hero of another story; she shows up as a kid with her mother and the rest of their band of thieves to kidnap Greta (the girl in the original story, I'd say she's Anna in this but she kind of isn't, the Disney version is hugely changed), and steals her horse and her clothes and everything, and she's kind of like an anti-hero; she sleeps with a knife and threatens her pet reindeer with it for a laugh, and threatens to kill Greta, but then when she hears Greta's story she's all "Well that sounds like a pretty awesome adventure! You know what, you go and get on with your bad self, go save your boy if you really think he's worth it" and gives her back her fancy warm clothes (but keeps her fancy muff and instead gives Greta her mom's bulky old mittens, because she's amazing and takes what she wants) and lets her reindeer free on the condition that he will help Greta get to the Snow Queen's palace, and off they go.  And then at the end of the story she shows up again, riding Greta's stolen horse all grown up with a pair of pistols strapped to her hips because she'd decided to wander the world and find her own way, and she's just like "You did it!  You go girl, if I'm ever in your town I'll stop by for a visit" and rides off into the sunset.  But I guess the story was so changed in Disney's version that they couldn't fit them in, or didn't think they suited the tone of the movie or whatever, I don't know -- the point is, they weren't there and that makes me sad because I loved them so much when I was younger.  The Snow Queen was really just full of awesome ladies, and it bums me out that Disney's version didn't have them.  There was a lady for everyone!  There was the good but sad magic woman who wanted to keep Greta, so she tricked her into staying in her garden out of loneliness.  There was the aforementioned genius Princess and the badass robber girl.  There was the Snow Queen herself, who I always loved; she wasn't really a villain, not really.  At least I never got a sense of evil from her in the versions I read.  She was impossible and otherworldly and had a completely different set of morals; she invited Kay to come with her out of loneliness, I thought, and I don't believe it ever would have occurred to her that it was wrong.  After all, she's an ancient and powerful fairy queen who sees mortals live and die in misery all the time, who would miss the little boy who caught her eye?  But whatever.  The story I remember wasn't the story Disney was telling, and that's okay even if I'm sad I never really saw it, because the original story really was just too religious to go over well now.  Let's talk about the character problems that are in the story Disney was actually telling.

For the record, spoilers are going to start here, for reelzies.  I really did like all of the characters in the movie, at least for the first half.  I didn't have any real problems with the characters themselves.  My problem was really where they paired them up or dealt with them at the end.  For example, Anna and Hans, her prince.  They meet in the beginning of the movie and over the course of an evening fall in love and decide to get engaged.  Everybody gives them crap over it, though; Elsa refuses to give her blessing because they'd only just met (which upsets Anna, who grabs her glove off and accidentally reveals her hidden powers to everyone, setting the main drama of the film in motion), and later on Kristoff gives her a hard time over it too and is all, I don't trust your judgment!  Who gets engaged to someone they only just met?  Well...Disney princesses do.  That's why it worked for me.  In the context of a Disney film, especially one of this style, meeting cute and falling in love and knowing you are truly Meant To Be is the norm.  And Anna and Hans were really adorable; he was a super-cute dude, they had a chemistry-filled song about falling in love with each other, he was responsible and helped her kingdom and tried to save her sister after the whole snow thing went down.  So I was really surprised when Hans turned out to be a bad guy in the end.  It really felt like more of a cop-out than a twist, not least because it made a lot of his earlier actions not make much sense.  For example, his plan all along was to marry Anna and have Elsa die in an accident so he could inherit the throne through Anna.  But if that's the case, why try to save Elsa from the Weaseltown dudes when they invaded her palace in the mountains?  If he never loved her, where was all that chemistry coming from in their song together?  And if he's so brilliant he can just come in and take over the kingdom as easily as he did, why was he so dumb as to leave Anna alive in a locked room in her own castle, just assuming she'll drop dead, then wander out and be all "Oh yes, she died (just don't go to look at her ok) and we totallly got married without any witnesses and I have no proof but that's so totally how it went down you guys, and again she is just so very dead in that locked room over there, no need to check and please ignore all knocking or cries for help."  The apparent moral of "you probably aren't really in love with that dude you just met at a royal ball who sang a love duet with you" doesn't really work out very well in a Disney film.  It feels like a last minute change they made in order to set up Anna and Kristoff as the main couple, since they spend most of the film together.

And I realize I'm getting into very shippy territory here, but I don't think they really work out all that well together, either.  Well, they're cute, I guess, and the romance is very light.  But they seemed more like friends for most of the film, with a few ham-handed "he totes has feelings yo" scenes here and there, and I really thought Kristoff would meet and fall for Elsa, the Snow Queen.  It makes sense; his immediate reaction to seeing her beautiful ice stairway and palace is to shed a tear, because as he says, ice is his life (he sells it for a living).  Of course his reaction would be one of admiration before one of fear; he is very well aware of the beauty of ice and snow, and is struck speechless by it the first time he sees anything she's made.  I was really looking forward to them meeting properly for the whole film, and it...it just never really happened.  I don't think they had a single conversation.  Bummer.

But there was another thing I liked!  They kept the shards of ice in the heart/eye from the original story.  Well, the original story actually had shards of glass made by the devil to make things ugly, but I've seen the ice version before too so it works out ok.  And they didn't keep it completely true, but they had the "ice in heart freezes it" thing, and part of the drama at the end is Anna trying to find an act of true love to thaw her freezing heart.  The characters went looking for true love's kiss, and I was sitting in my chair going, "Man, wouldn't it be great if the act of love wasn't romantic?  Elsa loves her sister, she could give herself up and risk being locked away and losing her newfound freedom in exchange for a chance at saving Anna."  And the movie subverted both itself and my expectations; the act of love came from Anna herself, sacrificing herself at the last minute by running away from kissy Kristoff in order to save Elsa from Hans' blade and turning to solid ice right then, so his sword shatters on her frozen hand.  I really liked the idea of the act of love coming from within rather than without, because it shows how powerful love can be.  I kind of liked how Anna saved herself, but then I was like, can it really be "she saved herself" if she did it by sacrificing herself?  There are a lot of narratives out there about how women need to be loving and self-sacrificing, I'm not sure if this one needs fanfare.

Another problem I had with the films were the character designs.  Don't get me wrong, everything was very pretty!  But seriously, everyone looks identical.  Elsa, Anna and their mom have completely interchangeable faces (which, it has been pointed out to me, look basically like Rapunzel's face in Tangled, because Hollywood is only interested in having pretty white girls around and can't figure out how to make them both pretty and look like individual people at the same time.) and it's kind of dull to look at.  If you saw them without the hairstyles or colouring to distinguish them, would you be able to tell them apart?

Courtesy of this tumblr...I think.  I really don't understand how tumblr works, tbh

Another thing I regret about the film is how little I feel like I know the characters.  Compare other movies; in Beauty and the Beast we know Belle spends all her time reading and being a weirdo with her inventor dad.  In The Little Mermaid, Ariel is obsessed with the human world and spends all her time collecting human artifacts and being a weirdo about boys with legs.  Tiana in The Princess And The Frog has a hell of a work ethic and spends as much time as she can working and reading cookbooks and being a frog, which is pretty weird.  In The Aristocats, the kittens spend their time studying high-class stuff like painting and music, but are still kids and would rather play.  The kitten Marie likes to be very feminine and thinks of herself as a lady, while her older brother Toulouse wants to be big and tough like an alley cat.  In Lilo and Stitch, Lilo's main character trait is what a weirdo she is, doing strange things like making weird dolls and practicing voodoo, and she loves to hula dance and take photos of random tourists.  My point here is that I don't get anything like that from Elsa and Anna.  Elsa spent years alone in her room -- what did she do in there all that time, aside from "have magic ice powers"?  Anna ran around the castle....talking to paintings, pretty much.  She rode her bike down the stairs once.  I have no idea what their lives are like or what they do.  What are their personalities like, how do they change once they aren't all alone any more?

One thing I really took away from this movie was, I want more.  Like I was saying earlier, I'd love to see what Elsa did when she was locked alone in her room most of her life, afraid of herself and of what she could do.  Did she become the well-read princess of the original story?  I can imagine her room full of shelves upon shelves of books as she tried desperately to lose herself in fact and fiction in order to distract herself from her hellish, lonely life.  Or what about Anna?  Did she read too, or did she run around bothering the servants all the time?  Did she go outside?  She must have, because she had a horse when the movie started.  Why would she have a horse and know how to ride if she wasn't allowed to leave the castle?  Or how about what happened after the film; did Elsa ever tell Anna that the reason she hid her powers was because she hurt her?  Did Anna ever remember?  How did they deal with suddenly having so many people around; after all, they aren't used to social interaction after being kept shut in for most of their lives.  Does Elsa retreat to her ice palace when she's feeling overwhelmed?  Did Kristoff ever mention that he saw them that night when they brought Anna to the trolls for help?  Basically, I just want all of the fanfic ever, pretty much, because I just didn't get enough character interaction in the movie, and the stuff that I did get was good enough to show me that it would be worth seeing more of.  It might be a little early to say this (and I might be jinxing it, considering Disney's past track record with the subject), but I'd like to see a sequel where we get to know everyone more.  And maybe Elsa and Kristoff will get together in the next film....ah, I kid, I know that a Disney princess is paired for life.  Still though.  It'd be neat.

Friday, July 19, 2013

Welcome To The Jungle

Apparently there is a song by Guns 'n' Roses called Welcome To The Jungle.  It seems to be fairly popular, because I keep running into people referencing it, or saying it's stuck in their head.  I don't know if I've ever heard it myself, though.  And I always get very confused when someone brings it up, because whenever they mention Welcome To The Jungle, this is the version that I think they are talking about:


It is such a good song.  Well, it's not, but you know what I mean.  I love it.  Pizzazz is a crazy jungle lady attacking random crew members in some straw hut/pyramid setting, crawling around on all fours and pouncing on the cute blond hunter guy, presumably to rip his throat out with her teeth. After her freaky convulsion-dance on the pyramid, anyway. Roxy and Stormer are on bongo duty.  At some point they die and their ghosts ascend to the stars to bongo Mufasa style, and Pizzazz goes back to dancing on the pyramid.  Somehow her shadow doesn't seem to match up with her movements at all.  The Misfits just had the best music videos.

Sunday, June 16, 2013

If You Love Musicals....

Give Jekyll and Hyde a miss.  Specifically the David Hasselhoff version, which is the only one I've seen, but I assume they're all varying degrees of terrible.  I literally just finished watching it in the past five minutes, and already I can't remember a single tune from it.  I watched it thinking, "Okay, so this isn't great, but so far I've been able to find something to enjoy in every musical I've seen.  Surely sooner or later I'll hit that one guilty-pleasure song that makes the whole thing worth it, right?"  Nope, never happened.  Once or twice a song would start with one or two notes that would make me pay attention because hey, that's sort of good! Except then it would immediately go terrible again.  The lyrics were really lazy (at one point they rhymed "doorstep" with "your step," how the hell did they get away with that), and the performance was....well.  I did enjoy the first transformation scene, but not because it was good.  I enjoyed it the same way I enjoy watching clips of The Room on Youtube.  Which is not a compliment, to say the least.


I would continue with other vaguely-reviewish-words, but I don't have much else to say.  Like I said, I only just finished watching it, so I haven't had time to dwell on anything or come up with fancy reasons why not to like it.  Just...it's bad.  That's all I got.  The Hoff's acting is ridiculous, everybody else is bland, flat and forgettable, the "romance" sub plots between Jekyll, the orange lady and that stripper chick are completely lacking in...everything, really.  And I had a really hard time suspending my disbelief.  Like, I'm familiar enough with the story, as everyone is, to know that Jekyll's potion thing will work, but while he was petitioning the...medical board, I guess?  To let him begin human trials, it sounded so ridiculous that even I was going, what the hell are you on dude, this is not science. I would have agreed with the medical board that he's off his rocker and shouldn't get to do his experiment, but they were all like "You're going against God's will, you're crazy!" instead of "This is the most ridiculous theory I've ever heard, I thought you were a doctor for goodness sakes, what half-rate hotel of a school would give you a medical degree?"  I didn't care about any of the characters.  Not the stripper lady who got killed at the end, not the bride lady who...didn't?  I don't think she did, I was pretty bored by then so I wasn't watching all that closely.  Overall, it might have been the worst musical I've ever seen.  Even worse than West Side Story.  Even that had one or two songs going for it, this thing was just completely forgettable, all the way through.

Well, that's it, that's pretty much all I can think of right now.  Maybe in a day or two when I've had a chance to let the experience stew in my brain for a bit I'll have something more clever to say, but it's all I've got for now.  Bad musical, did not enjoy, do not recommend.

Wednesday, November 14, 2012

Live Albums Are The Worst Albums

I like listening to music, and I like going to live shows.  But I haaaate live albums.  It's the worst of both worlds.  The whole point of going to shows is so you can listen to the band in person and have a real experience.  It's fun even if you can't make out any lyrics.  And the whole point of listening to the album is to listen to the music clearly so you can really hear it and enjoy the whole thing.  But with live albums it's like, what's even the point?  You don't get the "live show" experience, and all the songs are filled with the sound of the crowd, and frequently in the popular songs the artist will stop singing and let the crowd sing.  This is awesome....when you're at the show singing along.  When you're at home and you just want to listen to the song, it's just really annoying.  Plus, it ruins softer, sad-ish songs that are supposed to be quiet.  The whole song will be undercut with people in the crowd cheering and shouting, and at the end of the quiet song they applaud and cheer and you GO DEAF FROM A CROWD OF PEOPLE SCREAMING THROUGH YOUR EARBUDS.  WHAT WAS THAT?  I CAN'T HEAR YOU BECAUSE I AM DEAF NOW.  SORRY.  I THINK MY EARS ARE BLEEDING.  I SHOULD PROBABLY GO TO A DOCTOR OR SOMETHING.

Sunday, September 30, 2012

Tuesday, September 4, 2012

Notes on Jem

I'm writing a recap/review thing for the first episode of Jem, and something occurred to me.  The Misfits are the "bad" group, and Jem and the Holograms are the "good" group.  So the Misfits embody all the negative traits, like greed, anger, arrogance, etc.  And Jem and the Holograms embody the virtues: honesty, friendship, kindness, charity, etc.

So what's with the names?  How come it isn't "The Holograms" and "Pizzazz and the Misfits"?  Pizzazz is both the indisputable leader of the Misfits and one of the most arrogant, self-centred people on the show.  But Jem is the one that feels the need to distinguish herself as the Leader And Most Important Person in the name of the band, above her friends and sister.

So is Jem/Jerrica secretly a bitch?  I mean, hints of it show up all through the series, like the continued lie to her boyfriend and being a total snob when it comes to the Misfits (she called them and the music they sing trash the first time she sees them, it's no wonder they hate her so much).  Is it really so important to her that she be the most famous and identifiable member of her band?

LOOK AT MEEEEEE

Wednesday, August 22, 2012

Theme song covers

I've seen some pretty impressive covers of theme songs.  Like, really good ones, did you see that death metal My Little Pony cover?  Badass.  Or Super Mario Bros on the theremin.  The accordion version of the Imperial March.  Not to mention just about everything in a capella.

But oh my god, this Jurassic Park cover is fucking amazing.  I almost wish it had been in the actual film.  

so perfect

Friday, August 10, 2012

Love Never Dies: embarrassing but fun




I'm gonna be honest, Love Never Dies is a guilty pleasure of mine.  It's a little embarrassing to admit that I love it as much as I do.  I mean, objectively, I get why a lot of people dislike it.  It's certainly not equal to Phantom of the Opera.  The story is exceedingly silly, the music isn't as good, and honestly PotO didn't need a sequel.  In fact, there's a reasonable argument that the sequel actually detracts from the fantasticulosity of the original.  Well, not really original, the actual original Phantom of the Opera is Gaston Leroux.  Which if you've never read it is still pretty good!  Not least because of how often the Phantom calls people "a great booby."  Hahaha, boobies.  Classic.

Not what he meant, but still. Boobies. Heh.

But still, LND.  I just can't help but love it!  I know it's got pretty glaring flaws, but it's got enough good bits to make it genuinely enjoyable despite them.  For example, the music being not-as-good as in Phantom doesn't mean the music's actually that bad.  That's the problem with comparing decent things to awesome things, the decent starts looking crappy because of how awesome the awesome thing is.  And the silly story....well, it's very silly.  But I've read sillier fanfic that I still enjoyed.  And that's basically what LND is, live-action musical fanfic that just so happens to involve the original(ish) creator.  After all, it is partially based on Phantom of Manhattan, which is in fact published fanfic.  When I went to the movie theatre to see the screening of the Sydney production of Love Never Dies, I didn't go in thinking "At last! The long awaited second half of the Phantom's story!"  I went in thinking "This is going to be amazingly ridiculous and I am going to love it for that."

Amazingly ridiculous.

I already knew the general plot beforehand, because Internet.  Spoilers: Raoul had become a drunken gambling loser who lost all his money, he and Christine and their son Gustav go to America to make money singing, and Erik the Phantom hires Christine through deceit and trickery to sing at his carnival because he has a carnival now.  Surprise!  Turns out Christine had an affair ten years ago right before getting married to Raoul, tracking down the Phantom for a sexy night of sexy sex (a moonless night btw, because dude's ugly remember?  hot ladies can't sex ugly dudes if the light's on!) and then the Phantom ditches her because somehow he didn't realize she loved him?  So Gustav is actually the Phantom's son, to the surprise of nobody watching because it wasn't exactly subtle before the big reveal.  You mean the ten year old child who's uncommonly gifted with music is actually the son of the genius musician Christine knew ten years ago?  Never!  So Erik the Phantom and Christine have their happy ending where Raoul fucks off and they get to be all sweetly in love because nobody actually remembers all the evil stuff the Phantom did in the first movie, may the shippers rejoice, but then Meg accidentally kills Christine when she kidnaps Gustav and tries to commit suicide.  By the way Meg is a crazy person now and has fallen in love with the Phantom, despite all her excellent don't-be-in-love-with-an-evil-opera-ghost advice to Christine in the original.  So yeah, very silly.  But fun-silly, in a way that works!  No, it doesn't all make sense when you look at it next to PotO.  But it's like, it could make sense in a fanfic-universe, because that's how fanfic works.  It takes canon and sort of bends it just enough that, say, Christine could leave Raoul right before the wedding because she's realized that she truly loves the Phantom despite, you know, everything.  The same way that so many people find Harry Potter and Draco Malfoy slash fic to be adorable and possibly realistic.  Or Draco and Hermione, if you aren't a slash fan.  Doesn't make much sense, isn't everybody's cup of tea, doesn't really work with canon at all.  But still fun, and still almost possible with the right bending.  The right fanficcy universe-bending, I mean, not sex-type bending.  Or element bending, that's a different series.


Of course, it's only fun-silly in a way that works in my personal opinion, because the show does have a lot of legitimate haters.  LND does kind of ruin the plot of PotO a teeny bit, what with the Phantom suddenly not being crazy and evil any more and Christine apparently developing amnesia after running away from the evil scary man who tried to kill her childhood sweetheart, did kill several un-hot people over the course of the musical, and tried to imprison her and force her to become his unwilling wife, and also, possibly his worst crime, destroying the beautiful and historic Paris Opera House.  But it's a silly musical with decent though not PotO-amazing music, pretty incredible effects, and fanfic-like shipping.  No, it's not equal to Phantom of the Opera, but if you were expecting it to be then you are also very silly.  Nobody expects a sequel to live up to the original.  Have you never seen any of those direct-to-video Disney sequels?  

What did you expect from these?

Tuesday, July 31, 2012

"Jesus Take The Wheel" is terrible.

I just heard "Jesus Take The Wheel" for the first time.  Fucking assclowns, that's a stupid song.



Basic gist: lady is driving to her parent's house for Christmas, running low on "faith and gasoline."  I would honestly be more worried about the gasoline, unless you're driving the Popemobile.  So she's driving with her kid in the backseat, low on gas, she's not paying attention to the road, she's speeding, and it's a snowy night. And somehow, this leads to her "spinning on a thin black sheet of glass" because whaaaaaaat, a shitty driver loses control of her car?  No fucking way!!!

And then the stupid part comes.  She's so scared and terrified that she doesn't even have time to cry!  Though it takes like a second or less to yelp when you find your car spinning off into a ditch, but whatever, it's been established that her reflexes are shit.  She does, however, have time to "throw her hands up in the air" and beg Jesus to take the wheel.

OH MY GOD WHY IS THIS WOMAN ALLOWED TO DRIVE.  Pro tip, when you lose control of your car do not let go of the wheel you fucking titshit.  The magical sky fairies will not intervene when you consciously allow a bad situation to get worse because you say "fix it for me I fucked up!"

"It was still getting colder when she made it to the shoulder," what?  No, seriously, what?  Is this a Day After Tomorrow situation where the temperature drops significantly in two seconds and flash-freezes the country?  Is that why she can't drive, her tires are coated in frozen Astroglide or something?  Anyway, whatever.  Car comes to a stop on the side of the road, lady's all "holyshitJesus!" and starts praying or something.  Apparently losing control of her car is a metaphor for the rest of her life which is equally shit.  So she goes "well fuck, my life is miserable!  Fix it for me please Jesus" because the accident taught her that she doesn't have to do anything and the magical sky fairies will make everything better if she just sits back and changes nothing and lets everything get worse.  Or something.  Oh, she says she has to change her life.  Wait, that's exactly the opposite of what you're saying when you ask Jesus to take the wheel!  Oh my god she's an idiot as well as a bad driver.

Final point, the phrase "she threw her hands up in the air" is ridiculous.  When I try to imagine that scene, all I can think of is either "She's ragequitting her car crash" or this:



PS: TK, if you seriously make "Jesus take the wheel" a popular saying, I will surround your house with wind chimes.

Jem and the Holograms

I fucking love Jem and the Holograms.  The series is just fantastically bad in every way.  I'm going to buy the series box set off a friend who, in a moment of insanity, bought it at HMV and has never stopped regretting the purchase, at least not that I've seen.  I don't know why.  It's such an amazing show, it's like this perfect explosion of mediocre 80's trash that somehow adds up to more than the sum of its parts.  It is so bad it has become fantastic.

I mean, just look at the opening!  The animation is admittedly six to eight times better than you will ever see in the actual show, but the rest of it is a fairly good demonstration of the show in general.  The wet troll-doll hairstyle, the inane lyrics, the freeze-frame-spinning-star-title-card at the end.  It's absolutely glorious.


So according to the lyrics, when Jem is not being Excitement or Adventure (ie. most of the time) she is Outrageous.  I could make a crack like "I disagree!  I find she is not outrageous at all, but is in fact a boring character on a terrible children's cartoon from the Eighties!"  But the actual definition for outrageous, according to Google and therefore Right and True, is this:
And honestly if I were asked to describe this show to somebody who had never heard of it, I would use all those words in the definition to describe it.  So clearly, this show knew exactly what it was talking about when it wrote the theme song.  And when it was describing the title character.  And when it was describing the music.  Jem, the music's contageous - outrageous!!  It's true, all the songs in this are shockingly bad and to call them contageous is wildly exaggerated and improbable.  Not that I'm a music critic, I leave that to Wyatt.

Though I can't figure out the eye-sparkle when Jem winks.  I get it when it pops up when she kisses Dudeface, because clearly they are into the sloppy droolfest makeouts.  Did he spit in her eye? Is that why she closed it?  And if that's what happened, was it a kink thing or is he just an ass who randomly spits in people's eyes?  Because honestly, I'd believe either.


Friday, July 27, 2012

George Street Fest

Alternate title to this post, WOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO LET'S HAVE A DANCE PARTY!!!!!!!

But yeah, the concert was rad.  Beauwater in particular was friggin' sweet!  I had so much fun I kind of don't know where to start.  I guess being in chronological order then get distracted later in the post and have everything be a muddle?  That sounds good lets do that.

Went down with Ash of hell on heels, and since both of us had wisely decided to eat absolutely nothing of substance before going down to George Street, as soon as we got onto the street we had to find somewhere to grab a bite.  So we get some club sandwiches at O'Reilly's pub and basically chilled there for a while, people-watching.  We saw Fat Fabio, this chunky guy in a tee shirt walking down the street with a big grin on his face, long luxurious blond hair blowing in the wind.  Actually I should save the people-watching till the end of the post, or else I'll just get sidetracked.

So anyway, me and Ash are just sitting around in the pub half-listening to the pretty awesome music from the opening band, and when we're done eating we go out to check them out.  I wish we'd eaten faster, because as it turns out these guys were freaking AWESOME.  I only caught the last part of their set, unfortunately, but they ended with a really great cover of Hey Jude, which my camera mostly mutilated with the audio but hey, at least I got it.  It sounds kind of crappy in the video, but that's none of it the band.  Band rocked this song.




Anyway, Ash and I were totally blown away by these guys.  They were crazy good!  We were so impressed by them that we had to go up after they had finished their set and ask what the name of the band was -- we'd missed it, since we only got in at the end.  And the singer was like "Beauwater -- here!" and gave me an album.  I know!!  It's awesome!!  I'm listening to it right now, it's fun stuff.  



The next band was pretty good too.  Not as good as Beauwater, but still fun.  The guy on keyboards was awesome.  We actually met him like hours later, as Ash and I were walking down the street looking for a not-completely-blocked bar (and ended up in Scanlan's, in case you were curious).  Turns out the lead singer is his dad.  We never would have guessed!  He seemed pretty young on stage.  The singer.  Keyboard guy was I guess a teenager?  I'm terrible at guessing ages. I'm gonna say "somewhere between ten and thirty."

Third Eye Blind was pretty cool too.  Honestly, the first time I'd ever heard of them was like last week when Ash said "Robin, you're coming to see these guys with me on Thursday."  So I was like "Okay," and downloaded a best-of cd to figure out who the heck they were.  I listened to them for a while and was like, Oh!  These guys! These are the guys that did that one song.  Or part of it, at least."



The two and a half minute part, specifically.

But the...band?  Is it a full band or is it like just the one dude, like Owl City or City and Colour?  Because only the one guy was doing the talking.  Whatever, I'll look it up later.  What was I going to say?  Oh right, I was gonna say something about how it's always cool when the band/dude is so pumped and energetic and totally into it that he gets everybody in the audience pumped too, whether or not they started out as pumped-up fans.  Like I started the evening going "Well, it'll be pretty cool, I guess.  Beauwater was rad, so hopefully Third Eye Blind will match up to them!"  And they totally did.  Guy had glow sticks, hucking them into the crowd.  He managed to toss a few up to the people hanging out the second-story windows above the road, that's a pretty good arm!  If only the beer girls earlier could throw like that.  But they only tossed t-shirts to the people jammed up in front.  Which on the one hand, they waited around and jostled to get in front so I guess they deserve a bonus for being good fans?  Or something?  But on the other hand, did they really have to give all the shirts to the front-row people?  Get the beefy guy to toss a few to the farther-back people.  Not at me, because I really don't need a beer-shirt in the face.  But Fantits next to me was fair shrieking for one.  I'm getting off-topic, I'm saving the people-watching for last.  I'm still talking about the band, aren't I?  I think I am.  Band was cool.  I like glow sticks.  Singer dude was good at making me really excited to see him, even though I honestly didn't really know who he was.  I would post the videos I took of Third Eye Blind, but it took an hour and a half to upload the Beauwater video so I'm not gonna do that.  At least not today.  Maybe tomorrow or next week when I've forgotten how annoying that was.

Anyway, the people-watching.  It's the most fun you can ever have on George Street.*  I think I mentioned Fat Fabio earlier, didn't I?  We saw Skinny Fabio afterwards, too.  If only they could have met.  And hipster chicks in weird outfits.  There were two of them, with like...I think it was floral bras/tank tops or something, and supertight short-shorts that go way up over their belly buttons.  It didn't really look bad, just kind of....weird.  It would fit right in on some haute-couture fashion show, but I've never seen real people try to wear the clothes that models wear on a runway.  Mostly because those outfits are weird.  And then there was Fantits.  She was standing next to me for most of the night, and she was hilarious.  She was obviously a huge fan of Third Eye Blind, and kind of a bigger girl.  She was cute, though.  Anyway, she was very loud in her appreciation of the band, and as soon as they showed up she started bouncing.  But not up and down kind of bouncing, she jumped really weird. She went sort of rocking forward and back as well as up and down, so it was like she was boob-tackling the girl in front of her.  Seriously, I was almost worried that she'd get a concussion or something.  Especially odd, she was very concerned with not getting in peoples way and constantly apologized to the people around her for being in their way or blocking their view.  But she never seems to notice the girl she is boob-assaulting.  Or head-assaulting?  Since it's her head getting assaulted, and the breasts are the assault-weapon.  Maybe headboob-assaulting.  I'm getting distracted again.  She was obviously a huge fan, from the superexcited bouncing that started as soon as the band came on and didn't stop for the entire show, and also she knew literally all the words for all the songs.  It was kind of impressive.  
*Citation needed.

I wish I'd had my iPod on me at the concert.  Not to listen to music, but so I could take notes haha.  I just know there are a million things I'm forgetting that I wanted to talk about later, but fuck if I can remember them now.  I suppose if I remember it I'll write another post.  In the meantime, have another Beauwater video!  Not one I took, of course, but there are a few up on Youtube.  Dang, I like these guys!  I should go to another show of theirs one of these days.